These old manor houses were meant to provide protection. Father once made me close my eyes and stand in the great hall of Ryne Hall and imagine how it must have felt. “None of these doors are here; none of the wings have been built yet,” he said, forcing me to shut out the obvious escape routes. Unlike Winston House, Ryne Hall had continued to live and grow, and there were many halls, each the center of a different wing of rooms and corridors. It was difficult then to imagine being isolated in the great hall. At Winston House I didn’t have to imagine so much.
“The sounds of arrows smacking against the windows,” he said to me. I thought they might sound like little clinks, metal arrow bouncing off stone, a little sound that masked a deadly danger.
“Where do you go?” he asked. I looked around. The great hall was filled with statuary and furniture, but I imagined that back then it would have been bare. All I could do was cower in a corner, so he took me there, and together we crouched. I put my back to the wall and tucked my knees up to my chin. He surrounded me with his bulk and lowered his head so his forehead touched the top of my head.
“We’d have to sit like this until the attack subsided,” he explained.
“How long would that take?”
“It depended. It could be a half hour, it could be all day. It depended on how well-supplied the attackers were, and how badly they wanted to get in.”
And we’d just sit there, waiting, trusting in the thick walls. There’d be shouting from outside, he’d said, and probably shouting from inside. Maybe some of the dogs would be inside with us as a last line of defense, and maybe some armed guards by the door. But the family would be here, in the corner, crouched in the darkness.